Komail Aijazuddin
Cher, 2024
Oil on canvas
16 x 20 in
KA835
KOMAIL AIJAZUDDIN'S Gathering series feature compositions from gender-segregated Muslim religious gatherings called Majlis, rendered in digitally-inflected aesthetic of memory. The removal of the context and focus on male bodies creates...
KOMAIL AIJAZUDDIN'S Gathering series feature compositions from gender-segregated Muslim religious gatherings called Majlis, rendered in digitally-inflected aesthetic of memory. The removal of the context and focus on male bodies creates a point of ambiguity, evoking the interior spaces of a gay club and a suggestion of eroticism. The slippage between desire and spiritual transcendence speaks to the blurry, often contextually fluid nature of meaning and memory.
KOMAIL AIJAZUDDIN (b. 1984) is a visual artist and writer. He holds degrees in Art & Art History from New York University and an MFA from the Pratt Institute, NY. His debut book "Manboobs: A memoir of Musicals, Visas, Hope & Cake" is coming Fall 2024, published by Abrams Press (US) and Transworld/DoubleDay Books (Internationally). He lives and works in New York City.
KOMAIL AIJAZUDDIN (b. 1984) is a visual artist and writer. He holds degrees in Art & Art History from New York University and an MFA from the Pratt Institute, NY. His debut book "Manboobs: A memoir of Musicals, Visas, Hope & Cake" is coming Fall 2024, published by Abrams Press (US) and Transworld/DoubleDay Books (Internationally). He lives and works in New York City.
