Sethi offers a vision of Indofuturism that is at once startling and seductive, utopian yet deeply psychosexual. Eroticism and abjection entwine within her compositions, where bodies are simultaneously erogenous and confrontational. While grounded in the aesthetic traditions of the subcontinent, her work reaches toward something more primal and universal, probing the uneasy intersections of power, pleasure, grotesqueness, and the sacred. Across various works on paper, Sethi employs precise, historically grounded modes of mark-making to evoke bodily form and sensation. Rather than merely imagining new deities within an established pictorial canon, she asserts entirely new modes of sensory experience. In Sethi’s vision, the body is capable of anything, inviting viewers to reimagine their most primoridal senses, feelings, and urges. Her compositions unfold cosmologies: universes that contain unstoppable bodies, bodies that contain unending universes.
In the work of Delhi-based artist Tarini Sethi, the body becomes a site of infinite possibility. Drawing from India’s expansive art-historical canon, spanning miniature painting to tribal traditions, Sethi constructs a universe entirely of her own making. Inspired by Indian conceptions of the sacred, particularly the multi-limbed deities and their mounts, she imagines evolutionary futures shaped by bodies unbound by fixed notions of identity, biology, or form itself.
